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Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. Composer: Wolfgang Amadeus Mozart Artist: Klara Würtz 🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com Mozart may have died heavy in debt, having encountered much fickleness on the part of the Viennese audiences and struggled to find suitable permanent employment for most of his career, but today his music is celebrated the world over; he is considered one of music history's greatest names, the vast majority of his works enjoying regular performances and being constantly reinterpreted by amateurs and top professionals alike. Stretching from his earliest years (Mozart started composing at the age of five) right through to his final days, this wonderful compendium traverses the full gamut of his output, covering the time spent in Salzburg working for his employer, the Archbishop Colloredo, the extensive travel he undertook during the 1760s and 1770s (which was in part to showcase his prodigious talents on the keyboard and violin, together with his talented sister Nannerl), and his later years in Vienna, to which he escaped in 1781 – against his father's wishes – to pursue a freelance career and where he married Constanze Weber the following year. What becomes evident from this set is that Mozart packed a phenomenal amount into his 35 years, a life that was often dominated by obsessive overwork, particularly towards the end. Moreover, there was not a genre akin to the period that he neglected nor did not achieve success in (in this collection the works are ordered as such, traversing orchestral music, chamber music, solo instrumental music, sacred music and vocal music), and in many cases he effected transformation, attaining new artistic levels – this is particularly evident in the piano concertos that begin the compendium, remarkable for their diversity of character, and the concluding mature operas, works that achieved new depths of characterisation. Tracklist: Piano Sonata No.10 In C, KV330: 00:00:00 I. Allegro moderato 00:06:40 II. Andante cantabile 00:13:14 III. Allegretto Piano Sonata No.11 In A, K331: 00:18:56 I. Andante grazioso 00:31:50 II. Menuetto 00:37:45 III. Alla Turca: Allegretto Piano Sonata No.12 in F, K332: 00:41:11 I. Allegro 00:47:44 II. Adagio 00:52:28 III. Allegro assai Piano Sonata No.13 in B flat, K333: 00:59:18 I. Allegro 01:06:40 II. Andante cantabile 01:12:14 III. Allegretto grazioso Piano Sonata No.14 in C Minor, K457: 01:18:50 I. Allegro molto 01:24:19 II. Adagio 01:32:03 III. Allegro assai Piano Sonata No.15 in F, K533: 01:36:22 Allegro 01:43:59 Andante 01:50:35 Rondeau: Allegretto Piano Sonata No.16 in C, K545: 01:57:02 I. Allegro 02:00:22 II. Andante 02:04:33 III. Rondo Piano Sonata No.17 in B flat, K570: 02:06:18 I. Allegro 02:12:02 II. Adagio 02:19:28 III. Allegretto Piano Sonata No.18 in D, K576: 02:22:58 I. Allegro 02:28:10 II. Adagio 02:33:44 III. Allegretto #Mozart #Piano #Vienna #Sonatas #Baroque #Classical #Classics #BrilliantClassics #Chamber #Musix #Concertos
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